“午夜”带著两个女儿和一批少女开著巴士到各乡镇做巡回棒球比赛以赌博的方式赚取生活费。某日来到小镇和当地男人的棒球队比赛，主队输不起，频频使出小动作，但最后还是大败。柯林斯的儿子洛埃也是球员，因输球被父亲训戒，柯林斯必须付给＂午夜＂一千元赌注，但他不肯付，＂午夜＂去找他算帐终于拿回一千元。但女儿担心父亲的安危下车去找父亲，被洛埃和贺拦住，欲加施暴，＂午夜＂听到求救声去救她们被洛埃用刀刺中腹部，女球员愤而用枪射伤洛埃的腿部，洛埃一时气愤和贺开著小货车拿长枪追杀她们···

一个好友请求彻底改变了Kirat的生活，当她与鲍比在网上的关系慢慢转变成恋情时，她永远也想不到鲍比并非表面上看起来那么简单。

　　In the summer of ’76, as President Jimmy Carter pledges to give government back to the people, tensions run high in a working-class Philadelphia neighborhood where the Black Panthers once flourished. When Marcus returns—having bolted years earlier—his homecoming isn’t exactly met with fanfare. His former movement brothers blame him for an unspeakable betrayal. Only his best friend’s widow, Patricia, appreciates Marcus’s predicament, which both unites and paralyzes them. As Patricia’s daughter compels the two comrades to confront their past, history repeats itself in dangerous ways.　　Night Catches Us masterfully reckons with the complexity of its characters’ revolutionary ideologies and internal desires. Bell-bottoms, Afros, potlucks, and Caddies set the scene as the film potently interweaves political media with an evocative soul-inspired score, summoning a vivid sense of place and time. The golden light that bathes characters’ faces seems to express the promise—and elusiveness—of the necessary change Marcus and Patricia struggle for so dearly—each by separate means.